![]() ![]() Ideas and Letters A newsletter showcasing the finest writing from the ideas section and the NS archive, covering political ideas, philosophy, criticism and intellectual history - sent every Wednesday. Weekly Highlights A weekly round-up of some of the best articles featured in the most recent issue of the New Statesman, sent each Saturday. The Culture Edit Our weekly culture newsletter – from books and art to pop culture and memes – sent every Friday. Green Times The New Statesman’s weekly environment email on the politics, business and culture of the climate and nature crises - in your inbox every Thursday. The New Statesman Daily The best of the New Statesman, delivered to your inbox every weekday morning. World Review The New Statesman’s global affairs newsletter, every Monday and Friday. ![]() The Crash A weekly newsletter helping you fit together the pieces of the global economic slowdown. Select and enter your email address Morning Call Quick and essential guide to domestic and global politics from the New Statesman's politics team. He thinks that Hollywood cinema has pretty much abandoned life, whereas his films are about what he calls “odd bits of it”. For some time now, those stories have all come from real life. Similarly, he says he gets great performances by choosing good actors in the first place, not by directing them much afterwards. What he does pride himself on is spotting good stories when they come his way. Then, stirring himself to offer something at least, said: “For getting away with it.”įrears, now 81, with 24 feature films as well as loads of TV drama to his name, has never written his own scripts. I interviewed him in 2017, just before he accepted the preposterously titled “Jaeger-LeCoultre Glory to the Film-maker Award” at the Venice Film Festival, and brightly asked him what he would say if he had to write his own citation on why he deserved such a prize. Stephen Frears, a charming grump, always denies that he is any kind of auteur. ![]()
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